Innocence 22

23 Jul 2008


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TacoTotes, 23 Jul 2008 Reply to this comment!


Ahh! hmm :( i don't think I have words for this page, which is why I don't think it needs words. Great update as usual!

Midnight Grizzley, 23 Jul 2008 Reply to this comment!


Looks like the ink is starting to come back. Dun dun dun!

doom Bubbles, 24 Jul 2008 Reply to this comment!


i like how the comic is steadily gowing less faded as the story gets closer to the present.

ORYX, 24 Jul 2008 Reply to this comment!


Great page, must say the 4th panel is very Campbell-esque (I approve) The whole thing is beuatiful as usual.

Natabecatabe, 24 Jul 2008 Reply to this comment!

DANG!!!!
That moving man is HUGE!!!! I love the art in this one so much!

Paulwise, 24 Jul 2008 Reply to this comment!


Great facial expressions. They really tell--and sell--the story.

dangerface, 25 Jul 2008 Reply to this comment!


Midnight Grizzley> Actually the only ink here is the window frame. The rest is just a little darker to solidify how real this moment was to them.

Smeagol> Gibson's script didn't call for Elspeth to look sad, but I figured there'd be a hidden pain there, that she didn't want to leave either, but wouldn't dare vocalize it to her husband. Re: Vehicles: Don't be. It's all about using reference.

Doom Bubbles> Just this page.

ORYX> Old Campbell or new Campbell? Everyone just looks weird in his new style.

Natabecatabe> He's big, but Frank is actually very small, though you couldn't tell by comparison when you saw him before because the kids were so little.

dinodudemax, 25 Jul 2008 Reply to this comment!


your TO good at drawing, Ben

TerminalMontage, 25 Jul 2008 Reply to this comment!


The mom looks like a bitch.

ORYX, 26 Jul 2008 Reply to this comment!


Totally old Campbell!

scalott, 28 Jul 2008 Reply to this comment!


The ink/pencil thing is so amazingly awesome. Subtle things like that always make things that much better.



CREDITS

Original Design by kingv
Redesign by Gibson Twist

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